procession has been found in Nigeria. [See E. R. Dennett, The Religious and political System of the Yoruba
(London, 1910). p, 951. At Trani, by Naples, a huge wooden phallic image called “II Santo Membro” was carried
in procession per annum until the eighteenth century. (See Rawson, Crude Erotic Art, p. 75). During the latter
part of the nineteenth century, in large cities of Japan phallic holidays happened in which tremendous floats were
Demonstrated. At several of these holidays, a surging mass of almost nude young men carried a enormous papier-mch
phallus. Occasionally While in college, I went with some friends from my dorm to a shore just south of Santa Cruz. . [See Micheal Czaja, Gods of Myths and Stone (Awesome York, 1974). p. 1741.
There’s enough evidence to show that phallic processions were standard in many states and were of great
antiquity. Herodotos (2.48-49) also mentions similar phallic processions in Egypt.
40. Kenneth Clark, The Nude: A Study of Ideal Art (London, 1957). pp. 162. 163.
41. For these observations made about Heracles see John Mouratidis. “Heracles at Olympia and the
Exclusion of Women from the Ancient Olympic Games,”Journal of Sport History 11 (Winter 1984): 41-55.
42. Bonfante, Etrusron Dress, p. 28. The Chaldaeans covered as a rule with considerable drapery the sorts of their
gods; but for the goddess of love and fecundity, and the demigod whom many compare to the Greek Heracles,
they had recourse to all the frankness of nudity (see Perrott and Chipiez, History of Art in Phrygia, p. 92).
43. See Ruth Glynn, “Heracles, Nereus and Triton: A Study of lconography in Sixth Century Athens,”AJA
85 (1981): 121-132; John Boardman, Greek Sculpture: The Archaic period (New York and Toronto, 1978), p. 261;
idem, Archaic Greek Gems (London. 1968). n 210, 198; idem, Greek Gems and Finger Rings: Early Bronze Age
IO Lav Classical (London, 1970). pl. 266.
44. E. Norman Cardiner, Olympia: Irs History and Remains (Oxford, 1925). p, 221. figs. 111,112
Journal of Sport History, Vol. 12, No. 3 (Winter, 1985)
work of Daidalos.45 Normally, the hero is depicted naked in early Greek art
which represents old legends. One cannot escape the conclusion that these early
Bare looks of the hero were based on the uncontestable authority of
tradition. On Heracles and his nudity, Evelyn Harrison stressed that:
There’s just one dweller in Olympos for whom the banqueting pose, the heroic
nudity, the short hair and the powerful physique are all actually characteristic and that
is Heracles. He alone comes bare into the presence of Zeus and the other gods.
The nudity of the sportsman, the fighter, the laborer is his, and it is the authentic mark of his
identity, the badge of his career.46
Heracles’ nudity is in accordance with the observations made above about the
phallic symbolism4′ and the nudity of the warrior-athlete. He was the most
popular hero of the Greeks, known as alexikakos and apotropaios (an averter of
evils) as strong and great, as creator of the Olympic Games, as a helper in all
Issues, as a great athlete, as the guardian of the race, as an averter of death,
as a naked warrior-athlete par excellence, as the hero of heroes, and as a
It really is reasonable to assume that since Heracles was the hero in whose honour
the Olympic Games were perhaps held, afterward his protges, the sportsmen, were
trying to copy the nudity as well as a few other characteristics of their patron.
From earliest times, the Greek gods and heroes boastfully displayed their
physical energy and needed such a show from their zealots and enthusiasts.
The substance signs demonstrates that the warrior-athlete was not a winning
theme for the artists of the late Geometric interval (750-700 B.C.). The sportsmen
of this period carried no weapons and wore no helmets. More emphasis has
been given to the bodies of the sportsmen and especially to their long arms and
Powerful legs, rather than to their aggressive and warlike attributes. In the ProtoAttic and Proto- When I was like 18 I ‘d started seeing this girl who lived in an apt with her mom. After dinner and , there are no traces of the warrior-athlete. The
last fifty years of the 8th century was probably the interval when the nudity of the
warrior-sportsman developed into athletic nudity. This was the same interval when
the widespread practice of hero cults, linked with competitive games
Happened. The popularity of athletics and numerous practical factors
were responsible for the change from the warrior-athlete’s nudity to athletic
nudity. It’s very vital that you keep in mind that the last part of the 8th century is
by tradition the eve of the start of nudity in Greek athletics and is the
45. Pausanias 2.4.5. Farnell (Greek Hero Cults, p. III) regarded this naked image of Heracles as Dorian
dedication of about 600 B.C.
46. Evelyn Harrison, “Athena and Athens in East Pediment of Parthenon,” AJA 71 (1967): 44.
47. Farnell said that the Lacedaemonian cult of the “Finger of Heracles,” assumed to have been bitten off by